Each Idea is a different lens on a book. Free members have Dialogue and Analysis. Premium opens the other three.
Your immediate, unfiltered reaction. The brain-dump: emotions, arguments with the book, talking to characters, talking to your future self. The most natural place to start.
The closer read. Beautiful phrases worth keeping, unfamiliar words, recurring symbols and themes you want to track across the book.
Characters, relationships, lineages, who-is-who. Especially useful for big casts and books where the structure itself carries the meaning.
Where the book touches your own life: a memory it surfaced, another book it rhymes with, a date and place you want to anchor to the reading.
A running log as you read. Add as many chapters as you like, name them, and write a short summary of each, plus one overall summary of the whole book. Unlike the other Ideas, this one is built for keeping pace with a book in progress.
Q: What counts as a word? The counter colours amber as you near a limit and red at the edge. Pasting more than will fit trims to what's left rather than rejecting the whole paste.
Q: The editor doesn't autocapitalise. Is that a bug? No. Writing a Thought should feel like scribbling in a margin, hurried and unpolished, not like composing in a word processor. That's deliberate.
Q: I'm not much of a writer. Does this need to be good? No. Don't write to impress anyone; these are yours. Don't reach for sophisticated phrasing. Just put down the raw idea as it arrives in your head. Get it on the page first; you can make it good later, or never. Most people find that, without trying, they end up writing better here anyway.